Remodelling The Model

Runway
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In an industry in which being “ugly pretty” books you the job, it’s shockingly hard to qualify for a spot doing your little turn on the catwalk. The standards for female modelling are prohibitively high, often seeking those below 25 on age and dangerously below 18 on BMI. Ethnicity is to fit a cookie cutter check box and mixed ethnicities are considered beautiful, but a casting confusion. Height must always exceed 5”7 and at that, prepare to be considered short.

Fashion shows globally host the most important people in industry from buyers to bloggers, editors to forecasters. There’s little margin for error. In order to keep the collections salable and generate heat, the clothing must do all the talking. And the voice better be booming. Here’s where the argument falls to the “classic” runway model – the three E’s; ease, enticement and ego. Though a sleek and polished show winds up presenting, it’s anything but calm backstage. Last minute switches, model no-shows, clothing rips and a myriad of other things can go wrong. Thus holding to one body type makes things run smoother. If one model doesn’t show, the dress can easily be thrown on someone else and fit more or less the same way. Wafer thin also means no billowing, no pulling and no bulging. This makes the clothing appear to be flawless in fit and entices buyers to want to bring the line in store come the next season. Glove fits coupled with proper design and trend equals high sell rates, good write-ups and a sky-rocketed reputation for the designer.

It may be time; however, to put the old model to bed so to speak. It’s a social media storm out here with thousands upon millions upon billions of images and videos being shared daily of real women. A barrage of selfie campaigns are replacing traditional ads; the implications of which are leading to the slow adoption of models that don’t fit the standard bill. Social apps and sites will demand more of today’s woman’s time, ensuring that she spend at least equal time staring at the faces of her friends as those of models. It’s about reality and an educated consumer willing those that dress her to not shame her for her shape, size, skin or anything else.

Integration of real world models is moving more rapidly through the moderate price market, but it appears Lincoln Center has opened its doors to a few models that redefine the standard. It may not be much, but No Hangers Barred is in full favour of any bias cut – badoom boom ch! Here’s a look at a few of the changing faces in industry that have rocked the catwalk during Fashion Week and made their mark in magazine spreads.

Diandra Forrest

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Proud African American model Diandra Forrest was born with Albinism. Though she was ridiculed in her youth growing up in the Bronx for her pale skin, Forrest has since found her niche from it. Her beautiful facial features blend uniquely with her pigmentation making her a striking choice for any runway. She has walked for Jean Paul Gaultier, VFiles and Vivienne Westwood and has lent her face to many editorial spreads.

Rain Dove

RainDove
www.kubatbillot.com

With a completely androgynous look, Rain Dove seamlessly models both menswear and womenswear. Dove uses her modelling as a form of activism in promoting lack of gender specific clothing which appeals to  the anatomical values of an individual. Dove has been all over the NYFW scene walking for Malan Breton, Vivienne Hu and Rochambeau to name a few. We expect to see much more of her this September.

Jillian Mercado

JillianMercadowww.elle.it

Born with Muscular Dystrophy, Jillian Mercado learned early on in her studies at The Fashion Institute of Technology that her industry wasn’t the most open-minded when it came to beauty. She sought to change that and has found quite a large amount of success. Major luxury retailer Nordstrom and denim designer Diesel have scooped up Mercado for fashion campaigns.

Elliott Sailors

ElliottSailors
nickystyles.com

Elliott Sailors started out on a very traditional path. She was a former beauty pageant contestant turned model and had always fit the model mould. As she aged, she learned how quickly the industry could turn on her. Menswear then called to her as a method of prolonging her career. She has walked for the likes of Vivienne Westwood, Rick Owens and Diesel Reboot.

Andreja Pejic

AndrejaPejicwww.etonline.com

Claiming a new first in Fashion Week history, Andreja Pejic walked both the men’s and women’s runways for the same designers for FW15/16. Born Andrej, Pejic originated as an androgynous male model, who has changed her modelling parameters since transitioning. She emerged as one to watch with her compelling walk down the Giles runway in London. Previously, she had graced the runways of DKNY, Rick Owens and Jean Paul Gauliter in addition to appearing in numerous ad campaigns.

Carmen Dell’Orefice

CarmenDell'Orficewww.ganzomag.com

83 years young and still making a splash. Talk about aging gracefully. Carmen Dell’Orefice refuses to quit as she continues to dominate the editorial world. She’s been featured in the pages of Harper’s Bazaar and Vanity Fair, taken the cover spot on Marie Claire, appeared in ad campaigns for designers such as El Libro Amarillo and Rouge and walked in shows for Marimekko and Narisol Ferrari. Bridge club be damned!

Myla Dalbesio

MylaDelbasiowww.news.com.au

While plus size has made its way into some mainstream ads, it always seems to be too strongly a point of pride from the brands. Myla Dalbesio burned up her fair share of newsfeeds when her size 10 figure appeared in a Calvin Klein spread of size 0’s without a word of brand acknowledgement. The message spoke loud enough as is and the stunning model has since been featured in many editorials including a “Selfies in Spandex” spread on Vogue.com.

Jamie Brewer/Danielle Sheypuk

JamieBrewer DanielleSheypuk
www.buzzfeed.comwww.naija.io

Two Fashion Week firsts came down the Carrie Hammer runway as part of her “role models, not runway models” campaign. American Horror Story  actress Jamie Brewer really got people talking as the first person with Down Syndrome to walk at NYFW. Similarly clinical psychologist Danielle Sheypuk captivated as she made her way down the runway in a wheelchair. Though modelling isn’t the future path for either of these ladies, we certainly commend their boldness in challenging the status quo last winter.

Winnie Harlow

WinnieHarlow
www.fashiongonerogue.com

Born with Vitiligo, model Winnie Harlow is proving that beauty certainly can extend beyond symmetry and  the expected. Her skin discolouration hasn’t gotten in her way at all. This gorgeous and confident model has been the face of European brand Desigual and proved a perfect light-hearted choice for their polka dot campaign. Harlow has also walked for Diesel and has a promising career ahead.

Lea T

LeaT
www.bigshocking.com

Transgender model Lea T has been hard at it for a while now, having become the face of Givenchy in 2010. She’s since covered much ground having been featured in many editorial spreads and campaigns including Benetton and Phillipp Plein. In 2014, Lea T claimed the rights to being the first openly transgender model to be the face of a cosmetics brand when she stepped into her role at Redken.

It would seem that brands adapting to the modern world have been getting their praises. Diesel, Rick Owens, Jean Paul Gaultier and Vivienne Westwood showing their ability to evolve with several of the above mentioned models have certainly taken their positive press as a result. If heads will turn and people will be talking, the clothing will certainly get its air time regardless of the body it hangs off of. Yes, there will be challenges to overcome. Perhaps more backup models should be on call. Clothing trials should be done ahead of time, but there is no reason we cannot adapt.

If ready-to-wear Fashion Week offerings are meant to be sold, why should they continue to be sold under false body pretences? If we truly must keep uniformity in some fashion shows, it should at least be restricted to the couture collections; those meant as an art form and purchased only rarely by the supremely wealthy. This is one mode of operation in need of a tweak!

New York Fashion Week Round Up

Alright devout readers. As you all know, tonight is the final night of New York Fashion Week fall/winter 2015/16. Before we cross the pond to London tomorrow, I thought we were due in for a little show reviewing. The real trend talk will be coming up post-Paris fashion week, but little macro trend seeds will be planted throughout my weekly roundups for those who simply can’t wait. First we’re going to look at shows that are so good, they remind us why we follow fashion. Then we’re going to peer into some incredible styling choices. We’ll take a look at a few all around favorite pieces and of course, finish with a few shows that remind people who don’t follow fashion why they shouldn’t.

Collections Worth Committing Crimes

Jonathan Simkhai

JonathanSimkhai1    JonathanSimkhai2style.com

Caged, crackled, weeded and woven, Jonathan Simkhai’s fw15 collection was streetwear at its absolute finest. A variety of textures intermix from supple knits to a fine sheer mesh as they play off a multitude of geo prints.

Boxy tops and slim fit skirts make up major silhouettes in this collection. Crop tops of various lengths also occupied prime real estate on that runway with many peak a boos and sheer panels.

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The color palette favored blacks, whites and greys with hints of sheer olive, peach, light ancient pink and taupe.

Yigal Azrouël

YigalAzrouel2 YigalAzrouel7style.com

On the more sophisticated side of streetwear, Yigal Azrouël takes traditional bespoke suiting for women and redefines it into menswear cuts with funky geo and linear prints. The collection flawlessly mixes prints, silhouettes and cutouts in a wholly alluring visual puzzle.

Key items include oversized menswear cut vests and printed bomber jackets. Asymmetrical dresses shy one sleeve were also big players this season.

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Another subdued palette, Azrouël focused on black, white, shades of grey and silver. As a major seasonal color for fw15, teal made it onto a few items of this collection alongside cherry oak and chocolate brown.

Styling That Makes a Statement

Nicholas K

NicholasK3    NicholasK6style.com

In addition to a billowy perfection collection, Nicholas K makes it on this list for his 40’s aviation styling. With rounded sunnies reminiscent of flying goggles and vintage pilot hats, models on this catwalk seemed to resurrect and modernize the amazing Amelia Earhart.

Marchesa

 Marchesa4   Marchesa1style.com

Watch out Daisy Buchanan, Marchesa models are definitely stepping on your turf! Flapper dresses, pearls and 20’s styling made for decadent runway of old Hollywood glam. Dark sultry lips were paired with pinned back fingerwaves on all models strutting down the runway.

A Few Perfect Pieces

Idan Cohen

IdanCohen                                                      wgsn.tumblr.com

Delicate, sophisticated and completely ethereal, this is the dream ballerina dress that my fairy godmother would bestow on me if the time ever came that I should head to my pumpkin.

3.1 Phillip Lim

31PhillipLim                                                      style.com

Grungry in the best possible way, this look pairs bespoke suiting with an oversized trench to show why layers exist. In a sumptuous palette of muted half-tones with just the right amount of print, this simple look really drives the point home.

It Wouldn’t Be NYFW without the Weird

Hood by Air

HoodbyAir1    HoodbyAir2style.com

We’ve come to expect it, but this may be at a new level. Androgyny is often a plus in the fashion world, but when difficulty goes into deciphering the genders on the runway, we may have pushed a tad too far. Deconstructed garments, puffer… well… everything, garments shuffling their rightful place on the human body and nylon stocking face masks. This is one for the history books.

Degen

Degen1    Degen2printallover.me / newnownext.com

From breast oriented design details to asymmetric makeup looks that bring to question if the models have had strokes, this collection is less than normal. While I certainly applaud the decision to bring on (real) plus size models, there is something to be said for fit…

That’s a wrap on NYFW FW15! Check back in a few days time for a rundown on the London offers.

Red Carpet Stealers – Grammys Edition

On Sunday, February 8th, television sets around the globe were tuned in to catch the Grammy Awards for talent in the music industry. Some couch planters do it for the musical performances, others to watch host LL Cool J try and stay relevant, few may even just have a yearning to watch Sam Smith win basically every award up for grabs. To many who will likely find themselves reading this post, we’re in it for the fashion.

The Red Carpet offers up the best of designer gowns, painfully beautiful (emphasis on the pain) footwear and all the glittery jewelry one could never afford. It provides a glimpse into the life of the luxe. Perhaps more appealing; however, is assessing the delicate balance celebrities try and maintain between extravagant and “I woke up like this”. The subtleties of standing out versus blending in. Not only do their outfit selections speak to their personality, but define their affinity for risk. Dare to try to make best dressed and you’re likely to risk the worst.

Though each of these three looks hail from very different categories, I’d have no issue putting any on my event playlist.

Artful Design

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Gwen Stefani never fails to deliver on originality. Though she currently judges on the more mainstream show, The Voice, we mustn’t forget Stefani’s role in Ska music and the perfection that is Grunge in the ’90s band No Doubt. Her look has always paid tribute to her genres, but in 2015, she seems to have finally hit the perfect equilibrium between edgy and sophisticated. The architectural build of her Versace jumpsuit blends structured minimalism with exquisite details. A combination of the more feminine black lace and delicate makeup once again work in contrast to her somewhat androgynous hair styling. Round of applause for the woman that still holds to her guns “underneath it all“.

The Princess Revamp

KatyPerryGrammys

In a world where the princess look is attributed to pristine styling, hefty gown volume, mass embellishments and all the glitter imaginable, Katy Perry proves times for a rewrite. Though we could do without the purple locks, this “California Gurl” really does look unforgettable in Zuhair Murad. The crystal embellished frock has all the makings of a modern day princess look. The dress absolutely glistens in the light, has volume in the form of fringe (a must have for spring/summer 2015), a delicate embellishment at the waist and forms to the body brilliantly. Though significantly more covered up than usual, the sheer body of the gown allows for the suggestion of sexiness; a quality I’d argue is much more dignified. We could have done without the yellow underwear though Katy, next time, opt for nude!

What’s Old is New

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Alright, so clearly she could have covered up more, but then she wouldn’t be Kim Kardashian, would she? We could do with a slightly less plunging neck line and a much lower slit, but somehow, this Jean Paul Gaultier gown still astonishes. The gown has all the makings of a Gatsby party outfit with 1920’s flare and decadence. The robe styling is met with gold iridescent fabric that seems almost liquid as Paper Magazine‘s recent conquest struts her stuff down the carpet. Floral embellishments take the gown from simple to sublime on the pockets and shoulders. The weight of the gown; however, was slightly less successful. Post Red Carpet presentation, one of the pockets escaped her and safety pins became her godsend for their quick fix. Better luck next time Kim!

Another successful award show is now behind us. Though less gasp moments took over this round, fear not my fellow fashionistas/fashionistos. We’re less than two weeks away from the Red Carpet be all end all; The Oscars.

Galliano’s Back In The Game

JohnGalliano

Well, well, Mr. Galliano, it certainly has been a while. If ever there were a man in fashion to tumble from the top… John Galliano started his career as the Creative Director for Givenchy, but three short months later in October of 1996, the British designer made the move over to Dior where he held the title of Chief Designer. He moved the French Fashion house through to the millennium and well past in style, making revolutionary designs and playing up his habit for deconstructing garments. In 2011; however, severe racial slurs took him out of the game and he was let go from Dior to enter a black hole of a fashionless existence with no end date in sight. Early 2013, he took up a three week residency at Oscar De La Renta, but wasn’t made a permanent member of the team due to supposed budgetary restraints. Me thinks that’s a mere half truth. Regardless, the man kept fighting as he mentored students at London’s Central Saint Martins College of Art & Design. His luck ran a little dry once again when he tried to take up a similar role at Parsons The New School for Design. As a recent graduate, I can attest to the fact that the man wasn’t quite fit to be around young minds. The deal of him teaching a mini-course fell through after he refused to address the uglier parts of his past. Needless to say, there was a widespread lunchbag letdown by the switch of the syllabus (though I on the marketing side of things, wouldn’t have held a seat in his course regardless).

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So that takes us to the present. It’s 2015, and the man of the questionable ethics, but undeniable talent found himself back in the biz. On January 12th, John Galliano presented his “Artisinal” womenswear collection for the newly renamed Maison Margiela. With Galliano stepping in as Creative Director, Maison Martin Margiela dropped the Martin and shortened its official brand name.

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The compelling 24-piece collection presents all of what would be expected by renegade Galliano combined with reimagination of Martin Margiela’s staples; minimalism and deconstruction (a shared aesthetic of the two). Galliano reconceptualized minimalist into maximal androgyny at times and bulked it up with excess fabric play and bold details. The collection was heavy in black, white and tan, but used fire truck red to pull attention. Funkier details included a set of lash-heavy eyes on a dress, ruched fabric turned semi-floral tufts and frightening facial masks reminiscent of a Basquiat painting. Styling included plenty of sparkles circling the eyes and wind-swept hair clinging to faces of the models, including it girl Binx Walton.

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A valiant first effort by Galliano was well received by the industry. It seems he’ll be sticking around for a while. Can’t wait to see what’s next to come from the man of detached sleeves and operatic makeup.