Fall/Winter 2016/17 Trend Report

Trends fw16

If fashion once worked in defined clockwork cycles, this season is proving the fluidity of today’s runways and trends. While two of our dominant themes prevail from the ’70s, the rest of our designers are spanning the timeline making pitstops in every decade (skip the 1950s) from the ’20s through the late ’90s.

Unique designer inspirations from the late David Bowie to Tim Burton’s cult classic Beetlejuice leave the runways teaming with a striking contrast of wearable garments to obscene styling.

While some collections prove comically avant-garde *cough, cough Comme Des Garcons*, the bulk of the productions put drool-worthy context to the term “ready to wear”.

Leisured Sophisticate

Whether it’s the Studio 54 gold lamé deep-v fitted jumpsuit or the olive green velveteen leisure suit resting a top a paisley pointed collar shirt, the 1970’s is a time period full of audacious dressing. For fall/winter 2016/17, looks hop right off the tour buses of the Vinyl decade from the rockers themselves straight through to the girls that swoon at their feet. Daily leisure to nightly lavishness, the trends endure.

The details: Suedes, crushed velvets, corduroys, chenilles, silks and lamés make up the luxuriousness of this era of dress. Muted-half tones are often paired with highly bold color calling to vibrancy of the decade. Pattern is not something designers shy away from, dipping lightly into the trends of the decade prior. Lessening the psychedelia, and upping the sophistication with softer folkloric prints, the ’70s is marked by the beginning of decadence in fashion and lifestyle.

Another major change coming out of the seventies is the start of “sexy”. Plunging neck lines, tight fitting turtleneck sweaters, hot pants, cinched waists – it’s all about showing off the body. Fit-and-flare dominates  with the bell sleeve and bell bottom at the helm of most wardrobes.

A marker of societal change with the early start of the “career woman”, singular modes of dress for women are left behind. Skirts now come in three lengths; short, midi and maxi. Jumpsuits and high-waisted pants topped off by massive belt buckles are the height of popularity.

*Accessories note: The beveled-square toe platform boot is back and it’s begging for a dig through mom and dad’s record collection for some Nancy Sinatra. These boots were made for walkin’ and they’re doing it from ankle booties through to thigh-highs.

*Beauty note: The shag rests atop most heads in this trend, with the odd break for an obvious Farah Fawcett flip.

Prairie Savant

If rocker socialite defines the first ’70s trend, Prairie Savant is the sweet and naive cousin visiting for the week from South Dakota. This trend occupies the softer side of the ’70s as it is categorized by the rural muting of modes of dress, the step back from the rise to self-indulgence and an inclination to stick to a strongly feminine aesthetic.

The Details: Thin cottons, sheers, linens, laces, satins and tulles make up the fabric selection on these delicate garments. Softer hues and washed out floral prints bring a delicate beauty to the long-flowing garments. Primarily maxi frocks, the prairie look is one easily identified by the mass of ruffles.

Hints of romanticism sweep through this trend with ruffled collar bibs, cape build-ins and flouncing details that key in the English Rose aesthetic. Ruffles appear in all forms from lining dresses and maxi skirts to dangling at the high-hip of a loose fitting bohemian blouse.

Recalling the first decade to touch upon the prairie-look, the ’30s leg of mutton sleeve offers body to the otherwise subdued trend. The effect is used at varying degrees allowing a designer to play around with the drama of the look. The female necktie also makes a reappearance offering a lighter segue into the trend without the risk of going matronly.

*Beauty note: Hair styles favor the tapered quiff, with an elevated semi-roll in front and the gelled front “greaser”.

Mawkish Escapism

The romance dips deeper into the historical waters with the Mawkish Escapism trend. Influences pull from the Renaissance era, touch upon the ’20s and even go darker with the 17th century coven-laden garments. This trend runs the gamut of poetic nostalgia, with draping and femininity as its mainstays.

The Details: Luxe textiles include velour, chantilly lace, brocade, georgette, damask and various other sheer fabrics. The use of textile contrast from the rigid to the flowing in a mass of jewel tones and blacks establishes a refined grandeur in the designs. At times touched with a chromatic abstract print, the opulence grows all the greater.

Feminine silhouettes hold a certain delicacy, even whilst the design elements go in a slightly villainous direction. Crumpled features, sheer elements, high collars, capes and a flare for the dramatics create a sense of intrigue taking the looks beyond the sickeningly sweet and into the realms of a compelling world ‘beyond’.

Though suiting, blouses and lengthier skirts can certainly fall into this category, gowns and cocktail dresses are the defining garments.

*Accessories note: Two shoes currently en vogue match up with this trend. The pointed-toe stiletto amps up the theatrics, while the ballerina shoe (flat or heeled) mutes the brooding right out of the ensemble.

*Beauty note: Styling takes even the softer looks in a moodier direction. Alternating emphasis, eyes are dark and graphic, while lips are going from berry all the way through black.

Alt. Eclecticism

Somewhere between the birth of punk music in the 1980’s and the grungy garage-band days of the 1990’s, streetwear came to be. The Alt Eclecticism trend blurs the lines of the two generations, mixing the electric with the apathetic and resulting in next-level layering. The looks seem to pair items haphazardly, but the aesthetic is punishingly “cool”. Vibing heavily on the underground art scene and channeling a disenfranchised youth, Alt. Eclecticism treats fashion unapologetically like it doesn’t matter (while making it look better than most).

The Details: Anything and everything goes so long as it’s layered, artfully cluttered and confidently adorned. Denim, leather, cotton, furs and rigid fabrics occupy valuable real estate on these catwalks. Palettes combine neutrals with pops of vibrant colors. Pattern is not common, though it is present in smaller doses.

Silhouettes borrow from sportswear, bordering on athleisure. With hints of heritage in the mix, the combination is wholly incongruent, but somehow works. Oversized, well-tailored, but deconstructed garments rest atop other oversized, well-tailored but deconstructed garments. The only nods to femininity fall in a few peaks of skin consistent with this season’s overall love of the conspicuous cutout.

Items on command include athletic puffer coats, tousled denim anything and sweatshirts.

*Accessories note: All is to be styled with the clunkiest of footwear, metal anything and a beanie.

*Beauty note:  Welcome back nude to browned lips, excessive (non-cat) eyeliner and spider mascara.

Militant Forces

As a (non-patriotic) tribute to the defence forces that protect and serve, the runways are once again cluttered with military influences. From the modern garb, to the ’40s looks that speak to a world at war, fall/winter 2016/17 climbs right into the trenches. Land, sky and sea are all targeted in color scheme and overall feel.

The Details: Boiled wool, suiting fabric, cotton, canvas, and fur accents support many of these pieces. Colors predominately settle in at Army greens, Navy/Air Force blues and the reds of the Queen’s Guard.

Construction is paramount to the Militant Forces trend. Rigid garments are still made flattering and their bulk is met with aesthetic purpose. Though silhouettes are less form-fitting, this season’s favorite cinched waist returns to bring back shape in a woman’s body.

Details include squared shoulders, epaulettes, tassels and hook-and-eyes. Though the trend is interpreted into wearable suits and dresses, the military jackets are the foundation of the trend.

*Accessories note: While some designers go literal, pairing their looks with military accessories such as the vintage Navy hat, others merely suggest structure with the additions of corset overlays.

City Scape

As another trend with a high focus on construction, City Scape delves into the world of Architecture. Clean lines are paired with drapery to evoke the feel of an urban city from the tallest sky-scrapers to the gentle arcs of the bridges. Minimalism is challenged to new heights where it can utilize layering and asymmetry to establish unexpected compilations.

The Details: Crisp linens, cashmeres, jerseys, cottons, suedes and peau de soie are the most frequent textile choices. Color palettes highly favor neutrals, with shades of white and grey dominating. Colors can be present as well, though they tend to be a focus point.

Silhouettes vary greatly, with the only commonality being elongating the body. Lines are very clear throughout these looks for the purpose of guiding the eye. Often these looks pair a highly structured garment with a lightly draped counterpart. The simplicity in the contrast leaves an overall concluding feel of effortless elegance.

Layered pieces prove open to all sorts of garments. The wide-leg pant and cross-over skirt take lead as trend “must-haves”.

*Beauty note: A continuation of the geometric form of the trend, hair is sleeked back with extreme left side-parts.

While some of the season’s contenders are not a “one style fits all”, there seems to be a little something wearable for everyone. Those afflicted with a hefty bust may stay away from the ruffled-bib of the Prairie Savant, but the necktie is an easy buy in. If you weren’t born into long supermodel legs, you could keep off the midi skirt and swap in the mini cross-over.

Whether you’re in search of a little whimsy or aiming to strike a look of elite luxury, the trends will accommodate. Perhaps most important is to recall the lack of boundary in today’s world of dress. If it fits, if it makes you happy… wear it! You can always find a way to roll it into a trend category with a good accessory closet and a keen eye for beauty.

 

Fall/Winter 2016/17 Color Report

Colors copy

As is typical of the cooler months of the year, clothing showed for fall/winter 2016/17 veered on the side of warmth. Rich hues were paired with lush inviting fabrics for clothing that begged to stave off spring a little while longer!

Though the palettes did include a smattering of cooler Blues and Purples, a common theme presented itself in the Reds family.

Warmth Winners

Pinks

Stepped away from the bleached hues of the spring/summer collections, Pinks showed on the catwalks this past fashion week were much richer. The big Kahuna of the season was undeniable Fuchsia, bursting bold color all around. On the softer side, the runways were infused with Salmon and its antiqued offshoot; Tea Rose.

Fashion Fuchsia

Salmon

Tea Rose

Reds

In the fiery season we just sneaked a peak into, Reds were everywhere. An honorable mention goes to Oxblood which managed to stick around the runways from the current looks en vogue. The ones used with a heavy hand; however, were sharp Brick and Venetian Red.

Brick

Venetian Red

 

Oranges

Sure to begin its domination the mere second Starbucks rolls out anything Pumpkin-Spiced, various shades of Orange have been pinned as key players for the upcoming season. Continuing its reign from fall/winter 2015/16, Rust has been joined by the more chromatic Red Orange.

Rust

Red Orange

Yellows

With an offered burst of pure saturated sunshine to runways, Chrome Yellow played into the cozy colors of the season quite nicely. The Orange-infused variety, Ochre also garnered some attention.

Chrome Yellow

Ochre

Greens

You could make mean martini with all the Olives of this past fashion week. Varying from lighter to darker, the color was certainly making itself at home. Turning down the temperature a few degrees, we come to Rifle Green, and with that, a look at our cooler colors for the season.

Olive

Cool Contenders

Greens

An obvious tie-in for a season heavy in Military inspiration, Rifle Green made its return to the runway. This color borrows much of its identity from Army Green, but veers away from the Browned-finish.

Rifle Green

 

Blues

Blues continued the trend of National Defence colors with a Darkened Air Force Blue. This steely color pairs well with its lighter Blue and Purple blended relative of the season; Cornflower Blue.

Air Force Blue

Cornflower Blue

 

Purples

In a rare season of exposed Purple, the runways across New york, London, Milan and Paris all saw variants of Lilac from the brighter Rich Lilac to the demure French Lilac. Byzantine hiked up the intensity for maximum impact in Purples on the runways while bringing back a bit of warmth.

Rich Lilac

French Lilac

Byzantine

 

Can’t Commit Colors

Greys

Greys never really leave the runways. In some capacity, grey always shows up. This season took it away from being just a “shade” and offered slight-color infusions from warm to cool in the lighter tones.

 

Fall/winter 2016/17 promised to be full of dense color and rich textiles. If you’re not up to the challenge, rest assured – there’s always neutrals!

Paris Fashion Week Roundup

The final week of fashion shows is behind us for the fall/winter 2015/16 season. What a season it was from the heavily architectural pieces to soft flowing drapery, the sweetheart neutrals to rich desert hues and all the incomprehensible styling imaginable. Whether you tuned in for the artful designs or the histrionics of it all, I’m confident you were not disappointed. While the Valentino show made the loudest statement of the season in announcing that Hansel is once again “so hot right now” for Zoolander 2, there was plenty of magnificent bold fashion worth reporting on. Let’s dive right in!

Whole Collections of Cool

Christian Wijnants

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Christian Wijnants offers a unique twist on soft clothing with his FW15/16 collection. Flowing garment structure, pastel colors and sheer delicate textiles are paired with frayed edge patchwork, a few grimmer hues and dense rigid fabrics to toughen up his looks.

The mainstays of the collection are shift dresses done in mixed prints with layered textile detailing, slim fit skirts in floral geo prints and robe coats. Overcoats and boxy tees also occupied valuable runway real estate.

Wijnants’ ready-to-wear looks stand out most; however, for their unique custom-made textiles. A compilation of different textiles come together to create wearable art mixing clean cut with fringe, sheer with opaque and print with solid in a geometric maze of material.

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The palette for the show merges whites, light greys, chick yellows and powder blues with the vibrant corals and peacock blues and the bleaker olives, blacks, charcoals and wines. The effect is an astounding contrast and looks that are striking in their originality.

Styling is left simple with no jewelry to be spoken of. Each outfit is accompanied by a pair of ankle or mid-calf round toed boots in pastel colors. Hair is straightened and parted on the far right and lips are hit with a bright red leaving the rest of the face to look natural.

Chalayan

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Utility dominates the Chalayan runway with looks for both men and women. While bursts of tailoring and glamour peak through, a general theme of funky functionality gleans most of the attention.

Baggier overalls worn hanging loose at the hip are a show essential. Worker pants, rigid boxy jackets, tailored blazers with fur trim, and mixed media deconstructed gowns are also major players.

Geo prints and the use of metallics against dark neutrals prove visual stimulants. The mix of utility and glamour both in fabrics and silhouette are what really sets the show apart. Chalayan severs components of his garments to force them back together with rigged hardware reminiscent of curtains. Fringe work and abstract art creativity can be found as well amongst some of the pieces in the collection.

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An almost entirely neutral palette focuses on charcoal grey, black, white, tan and cream. Several pieces focus on teal or pink beige. Gold, silver and bronze appear as accent colors towards the end of the show along with red.

Black patent booties are on the feet of most models with a few sand patent sandals in the mix. Cloche hats offer a dash of 20’s charm to some of the looks while other models simply have straightened hair parted in the middle for a severe utility look. Makeup is meant to appear mostly natural with only some powder blue highlighting at the eyes.

Because Anyone Can Be Ordinary

Aganovich

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Aganovich brings forth something a little different this fashion week with a collection seemingly inspired by a cross between vintage YSL and Disney villains. Heavily architectural garments blend Victorian corset fit with bulk, layering and impossibly high pointed collars.

The collection focuses on variants of suiting with pants, skirts, vest, blazers and overcoats. Masculine pieces have been reimagined for women’s bodies and met with a dose of deconstructed brilliance.

The layering of both garments and textiles creates a volume counter to the tight fit of the underlying garments. The effect is a dramatic one lending the experience of a period-blended film of Oscar-worthy status.

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A sombre palette focuses primarily on black, white, light grey, navy and deep cognac in a mix of textures and simple prints. Hints of red can be seen as well.

Styling includes natural makeup, messy pulled back ponytails and canvas shoes. Rounded brim fedoras appear in the show’s lineup as well.

Rick Owens

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Although slightly on the side of robotic (with a little extra thanks to the makeup), Rick Owens delivers another collection that simply must be branded as “cool”. Heavily architectural pieces are paired with simple drapery in creating avant garde looks that  are somehow still true to the ready-to-wear category.

Tunic tops with cape necks are the clear must haves of the collection. Other key pieces include maxi skirts, puffer coats and pointed asymmetrical zip-up sleeveless tops.

Detail is what truly shines on this runway offering subtle suggestions of glamour. Sequins and fur fringe are unexpected from Owens, but definitely play a crucial role in stringing together all of the looks. Textures like supple suede, rigid canvas and heavily quilted nylon all work together surprisingly well. Though print in the true sense is minimal, a heavy geometric focus caries through from start to end.

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All neutrals came down the catwalk including black, grey, taupe, olive, tan, navy, brown and hints of metallics. The subtle hue variations on the neutrals; however, creates the illusion of color at times.

Ankle booties, studded over the knee boots and tall gladiator boots are the main footwear focus. Hair is sleeked back tight. Makeup varies from completely natural, to dramatic black under-eye makeup to complete silver or gold faces adorned with spikes.

Styled and Filed Under Strange Love

Maison Margiela

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Under the new direction of John Galliano, Maison Margiela goes all out with the styling of the fw15/16 show. Though the collection itself is an aesthetically pleasing mix of the 20’s, 60’s and 90’s, the hair and makeup is something more akin to a cheap carnival clown.

Neon colors dominate the faces of models with overdrawn coral lips and a mix of turquoise and orange racoon eyes. Some of the girls get the “subdued” look with over the top (times 20) black cat-eye makeup. Hair is either heavily teased, or colored boldly and tucked under a funky Blossom inspired hat or beret. Necks get neon yellow floral corsages. Lucky feet get slipped into stunning ombred pointed toe sandals. Other models are sporting slippers akin to the abominable snowman feet.

Perhaps the weirdest of it all; however, os the stances of the models. Some carry tan grocery style bags as if pulling off a heist and others hunch their way down the runway appearing creature-like and overall odd.

Givenchy

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Givenchy steps more than a few feet away from its usual subdued styling for this moustachioed and bedazzled runway. Clothing in the collection favors romanticism with folkloric prints, lush velvet fabric, fur trims and flowing feminine silhouettes. The styling; however… not so much!

The hair is pulled back into thin stranded pigtail braids bringing to mind leiderhosen. Bangs are gelled to the forehead in twists and twirls looking as though the monopoly man’s moustache skidded up the face a good 2.5 inches, flipped over and made its way to Paris Fashion Week.

Though makeup itself is a non-issue, studs are all over the models faces appearing as tear drops, chin rings, cheek rings and of course, plenty of large earrings. Each model gets a moustache, though some are more bling than basic.

With all that going on up top, footwear is left to simple pointed toe mid-calf boots in neutral leather.

Looks We Won’t Soon Forget

Paco Rabanne

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Taupe has never looked so striking as it does coming down the Paco Rabanne PFW catwalk. This mixed media look blends opaque with sheer and 2D with 3D as it plays with the rules of geometry.

Though the silhouettes both on top and bottom are nothing crazy, the textile work is something to marvel at with plasticized spikes coming off the mid-calf pant flare!

Kenzo

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Once again, Kenzo delivers beautiful athleisure with a hit of the unexpected. An aymmetrical tunic top slashed with the classic track suit stripe filters into a metallic emerald floral print  skirt which rests above pants that follow  its lead. Paired with leather gloves, a riding hat and head scarf, the look channels equestrian chic perfect for resortwear. Perhaps born to the wrong season, this look still begs to be part of my wardrobe.

Well, that’s a wrap on fashion month fall/winter 2015/16. We’ve seen it all from the wonderful to the wonderfully wacky (Comme Des Garçons… really….). Hope you’ve all enjoyed reading my thorough assessments week by week. Check back soon for a full trend report covering all four weeks of fashion!

Milan Fashion Week Roundup

Another perfect week of fashion is behind us. Three cities in and the trends seem to be falling neatly into place. That macrotrend report will be coming your way in a few weeks time. For now, let’s have a closer look at what came our way from the Italian runways this fall/winter 2015/16 ready-to-wear fashion week.

Collection Perfection

Trussardi

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Trussardi came out strong this season with a leather finish to her usual dose of militarism meets minimalism. Fabric play of sheen to matte offered all the drama the collection needed while allowing the pieces to stand out for their sporty chic tailoring.

Key pieces in the collection included tapered pants, cropped jackets, jumpsuits both with and without sleeves, patchwork sweaters in heavy sweater material and simple sheath dresses.

Details such as fold-over waistbands and exaggerated rounded lapel rolls were pivotal to Gaia Trussardi’s sticking the landing. The real star of the show; however, was her fabric choice. Loose stitch velvety knits and chunky cable knits provided a lightened relief to dramatic leathers in a movable glove-like leather.

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The collection’s palette was true to its modernist aesthetic with dense colors and a host of neutrals including several shades of grey, sumptuous chocolate browns, cafe au lait, sand, deep emerald, forest green, prussian blue and bronze.

Styling choices really held the clothing together with twisted and knotted low-hanging up dos and deep purple lips. Belts appeared as part of the collection and matched the shows v-opening ankle booties.

Etro

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Pretty in prints as per usual! Veronica Etro did not stray far from her bottom line with this stunning collection of folkloric prints in exotic desert hues. Though florals and paisley play a part, the emphasis was clearly on geo prints and patchwork. In a way that only Etro can pull off, the collection was pure organized chaos!

The interiors inspiration was felt throughout the loud prints, leaving simplicity of shapes and subduing the sex appeal. Peakaboo slits were seen in the collection’s key long-sleeve jumpsuits. Also crucial to Etro’s fw15 ready-to-wear line are overcoats, vests, cropped bootleg trousers, floor-sweeping dresses in simple silhouettes and illusion pleated skirts.

Aside from the dazzling production of all the mixed prints, Etro threw in a little lustre every few pieces for a touch more wow-factor. Silhouettes were kept clean and simple to not fight with the bold textiles.

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Colors were all over the map with this dreamy paint set collection of chroma. The subtle neutrals of sand, brown, grey, taupe and black contrast the clay-based art colors of rust, orange, teal, peacock, mustard and wine.

Loose long locks were middle-parted and accompanied by clean makeup looks. Metal based chokers rested on the necks of the models. Footwear consisted of rounded and slightly square toed boots matching the palette of the looks.

Strange and Beautiful

Angelos Frentzos

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Though clearly eccentrically styled, Angelos Frentzos delivered some pretty ready-to-wear clothing. The collection is American sportswear meets 1920’s with a mix of silhouettes and textiles. Fringe and flapper overwhelm the beginning of the show, androgyny comes in midway with layered shorts and bombers and the show finished with feather embellishments merging the two styles into one.

Silhouettes were overall loose fitting with boxy skirt and short suits dominating the runway. Other key pieces included lounge-fit tunic shirts and A-line tube tops.

Geo prints factor in as well along with bird embellished textiles and colorful painterly micro blocks. Still, it’s the balance of texture that really sets the mood on the collection from the ribbed jackets to the feathered skirts.

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A palette consists mainly of black, white and grey, but with pops of multicolor and moments where red shines through.

Frentzos made a bold choice to block out the models faces with black baseball caps holding feathers in place. The decision to eliminate the model from the runway so to speak allowed the clothing to come up on its own merit. Other styling decisions were kept minimalistic with tied gladiator style sandals.

Jacquemus

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Subtlety may not be the strong suit here, but artistic license is in full force. Jacquemus certainly got crafty for this collection that plays up the female form. For the purposes of keeping this PG, I’ve left off the countless looks that prominently feature the bare breast, but it’s likely the overalls pictured below will leave you with the main idea.

This piecework collection compiles what appear to be near scraps of fabric into composed pieces. There’s a healthy dose of drapery on the nondistinctive silhouettes. Loose and fluid would explain most including a dress meant to represent the human hand, misplaced sleeves with a mid-chest start point and pants with a waistline large enough for three.

If all of the outlandish traits weren’t enough, Jacquemus threw in a few extra details. Colorful metal grommets, asymmetric leg of mutton sleeves and overgrown knots finish looks in this bold collection.

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Somehow, amidst the insanity, a tasteful palette (slightly) reins it in. White, navy, black, tan, taupe and army green dominate with only mild peaks of orange, yellow and sky blue.

Styling in this collection is definitely worth noting with a half-face drawn onto some models’ cheeks to compensate for hair covering their right sides. Other faces were covered completely with round paper masks. With all that going on up above, it’s no wonder that footwear was left off altogether!

Skillful Styling

Luisa Beccaria

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Luisa Beccaria presented a collection perhaps better fit for the Parisian runways with her stunning vintage French styling. Elbow length gloves and berets offer a softness complimentary to the collection that’s supremely feminine in its form fitting silhouettes and delicate feathered and printed detail. Fishnet tights and a deep burgundy lip give an vixen-like toughness to the looks, offering a hardened contrast equipped for modern Italian women.

Marco de Vincenzo

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Slips of color were crucial to both the collection and styling of Marco de Vincenzo’s fw15 rtw collection. With multicolored strips lining of much of his collection, Vincenzo used styling to highlight the effect. Rainbow rounded glasses came down the catwalk on some models while others wore color saturated puff satin braided sandals. Plastic chain-linked belts also set the standard for this psychedelic 70’s meets futuristic collection.

On My Wish List

Nº 21

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Nº 21 just got this one right with the variant monochromatic palette and the contrasting layers and textures. From the boiled wool sand colored coat to the cafe au lait lingerie inspired satin dress adorned over pants, it’s layers the way we all wish we could pull them off!

Tod’s

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There’s something so striking about the perfect white blouse. With a jacket fit and styling, this thin piece breaks all the expectations for outwear. Paired with a digitized geo print pleated leather skirt, this look is the under the radar chic we’ve come to associate with Tod’s.

Well ¾’s of fashion month is behind us and we’ve seen a great deal worth justifying an elaborate clothing budget. Paris fashion week is in full swing at the moment. Click here to live stream some shows. Otherwise, check back in a few days to read up on the final triumphs of fw15 rtw!

London Fashion Week Roundup

Well, London Fashion Week came and went rather quickly. The five day fashion frenzy brought its fair share of excitement and drama. From the eerily quirky model walks at the Giles show to the blogger crashing the final model walk at Jean-Pierre Braganza, marvellous curiosities were everywhere. Not the least of which, why did Cara trade in walking Topshop Unique for a frow seat with Kendall Jenner? Alas, some mysteries are better left unsolved. Instead, I think I’ll direct our focus on the fashions themselves. The sweet, sweet glorious fashion.

Covetable Collections

J. JS Lee

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The magic of J. JS Lee’s fall/winter 2015/16 collection begins with the styling of a pageboy-bowl cut mashup and an orangey red lip. This strikingly simple look bounces brilliantly off of the minimalist clean aesthetics coming down her catwalk. A cheeky tailoring theme throughout features sewing details such as mock needles gathering fabric and visible threading. Beyond the structured garments; however, is a softening that comes from this season’s trim of choice; fur.

The collection is very dress heavy with sheaths, shifts and sleeved/sleeveless trapeze cuts showing up throughout. Overcoats play an important role as do cinched waist trousers and slouchy turtleneck sweaters.

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The color palette is subdued with blacks, whites and greys at the forefront. Blush weaves its way in and out, always on a canvas of fur. Limited geo prints in the collection bring a yellowed gold color as well as rhodolite. Full collection here.

Mother of Pearl

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Classic American sportswear took a turn for the better with romantic prints, luxe color combinations and textural interplay at the Mother of Pearl show. Combinations of furs, leathers, taffetas, perforated textiles and sheer fabrics allow for simplistic loose fitting silhouettes.

Key pieces in the collection include bomber jackets, raglan coats and bespoke suiting with an urban twist.

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A warm color palette for the collection includes many seasonal favorites including dusty pink, deep chocolate brown, camel, cognac, deep teal, mustard and orange. Pale yellow and pea green guest star briefly in a gingam print. Finally, a lesser dose of the standard black, white and navy are included throughout. For the full collection, check out style.com.

Sublime, with a Side of Eccentricity

Christopher Kane

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Mostly in the realm of wearable, Christopher Kane’s FW15/16 collection holds its eccentricity in its encompassing of the human form (and I’m not talking about sharp tailoring). Prints inspired by a woman’s body fly off the dresses in a fringe-like fashion. Cameos live in vibrant colored velvet. Even nudity is included in smaller details, making the avant garde pieces more of an art tribute than wearable works.

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Pieces not dealing in anatomy; however, are still playful with fabric “scribble” style strips. The balance of the collection is entirely pret-a-porter with stunning bespoke suiting and mid-waist dresses. Click here for the full collection.

Vivienne Westwood Red Label

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True to her persona, Vivienne Westwood styled this catwalk in the most peculiar of ways with red and black paint fight style makeup and neck hugging braided hair cozies. The clothing; however, need not such drama to stand out. Fantastical silhouettes play up volume and geometric shapes as they turn heads over and over again. Wallpaper florals are paired with tweed plaids, leg of mutton pants paired with multicolored fringe trimmed leg warmers, Yin Yang cut blazers with origami neck ties and dress capes are given massive hoods. This is not a collection for the faint of heart.

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Still within the absurdity is a glimmer of “I’d love to get my hands on that Westwood jacket”. Severing the looks and breaking them down by item leaves just the right amount of bold statement piece. Menswear silhouettes in womenswear fabrics and colors are also offered in this collection for the lighter touch. See full collection here.

Strange and Spot on Styling

Ashish

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So here’s a collection that absolutely oozes grunge with a side helping of sex. 90’s patchwork, hardware, rhinestones, camo print and acid washed tie-dye denim are all over this collection. Add in sequin heavy lingerie for outdoor wear and Ashish’s (likely) accidental nod to Broadway’s Kinky Boots and you’ve got a proper SHOW. Whether or not the word “fashion” should be its prefix is still up for debate. One thing is for certain though; the styling was right on the money. Two-toned hair featured puffy front bangs and messy half-dos in back. Lips were all given a hit of the same vibrant red featured throughout the collection. Love it or hate it, the styling really did channel Courtney Love in its intended fashion. See more of the wonderful insanity here.

Marques’Almeida

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For a collection full of frayed edge denim, tinfoil dresses and layer-heavy drapery, Marques’Almeida’s fresh out of the pouring rain styling somehow works. Hair is near glued to the models’ faces with a streaky greased up appearance and eyeliner has melted dramatically as if post-breakup. Is it beautiful? Certainly not, but then neither is the literal interpretation of streetwear collection. Various pieces teeter on wearable, but the overall feel is much more MOMA than it is MET. See all the looks from the runway here.

Future Items in My Dream Wardrobe

Jean-Pierre Braganza

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Pairing Jean-Pierre Braganza’s thematic origami shapes with a minimalist overall silhouette made this piece a standout. A neutral palette of navy and white is livened by a sleek silver in forming an uneven stripe print. Sporty, yet classic and elegant in its own right, this piece would be welcome in most any wardrobe without causing a stir. See more elaborate pieces from the same collection here.

Mary Katrantzou

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Mary Katrantzou offered a completely unique collection at this season’s London Fashion Week with mixed media looks. Well beyond the standard textural blends, Katrantzou took her textiles to the next level with foam triangles, ruffled plastic elements, metallic disks and paisley embossed leather. While the entire collection is certainly worth a glance, this shift coat dress is at the top of my LFW want list. Matted and glossed feathers lead into wool-covered foam blocks followed by sparkling paisley embroidery all in a sophisticated fall palette. Completely unlike anything else out there, this piece has serious pass down to your future granddaughter potential.

Two cities down, two to go! Milan Fashion Week is well underway on day one. Check in next week for another roundup.

Pretty in Pink – The Pale Lip

Trying to chic an outfit up a bit with a little lip color? A pale pink lip is a great option.

During the day, the pale pink lends itself beautifully to almost any outfit (aside from overly sporty). It adds just the smallest bit of charm and innocence to an outfit, while making you look more thoughtful in the “put together” process.

While the borderline nude pale pink acts as a pretty natural lip, I’m always inclined to go for a more stated light pink to let the lipstick speak for itself.

For nighttime wear, the pale pink lip is the perfect contrast with a smokey eye if you want to go big on the drama. Always make sure not to pair a dramatic eye with a bold lipstick. You don’t want to look overly made up. Natural with a touch of makeup flare is the goal. Even if you’re going more simplistic with the eye makeup, the pale pink is still a nice touch for a more muted nighttime look.

Just a few things to keep in mind:

Go a good few shades lighter than your natural lip color. You want to see that it is noticeably color on your lip. Don’t; however, go so light that it looks like your lips have drained of any color at all.

Finish it off with some lip gloss right in the center of the lip. This adds a little glamor to the girly, but keeps the sparkle contained.

My favorite pink: Angel by Mac

How To Polish Off Your Look

Though I myself have been known to be found guilty occasionally of this crime, chipped or sloppy nails are complete fashion decimation. If you’ve taken the time to dress yourself immaculately, don’t lose it in the details. Every once in a while, I’m a believer in giving the nails a breather and ditching the polish, but if you opt for some color, keep it clean.

Length is another big issue when it comes to nails. Long nails are out ladies. They haven’t been in for a good while. Bitten nails or super short is also quite the faux-pas. Keep them average length to make sure they look neat and modern.

When it comes to shape, square or round isn’t the way to go. Try and get an oval shape going. You’re aiming for slightly squared, but with rounded edges.

Color is where there is room to play. Nail polish comes in practically every color of the rainbow. Depending on your skin tone, almost any color can work. If; however, you’re looking to be incredibly on trend, this season likes it au naturel. Winter and Spring of 2012 love the light and natural looks for the nails. Keep to sheer whites, nudes, beiges, and light pinks.

A few great ones to look out for:

Beiges (ranging from slightly pinker to slightly greyer in nature): OPI’s Mimosas for Mr. & Mrs, OPI’s Did you ‘ear about Van Gogh?, Mac’s Oyster Shell, Essie’s Au Naturel, and Sally Hansen’s Insta-Dri Beige Blast

Light pinks: Sally Hansen’s Insta-Dri Petal Pusher, Essie’s It’s in the Bag (Ivory with a hint of pink)

Sheer whites: Essie’s Waltz

Nudes: Essie’s Pillow Talk

Short on time? Fear not. Several lines exist in the minute dry format. While they do tend to chip faster, they can also be fixed and dried once again within a couple of minutes. Sally Hansen offers up a line of Insta-Dri, Revlon sells its line called Top Speed, Rimmel sells 60 Seconds, and Maybelline markets their Express Finish.

Block Out Fashion Boredom

The color blocking trend is kind of always going to be in style to some extent. It can be charged up to look like full on lego blocks or significantly more dumbed down to be a slight tweak on a one-tone shirt. While its intensity may vary, several distinct blocks or patches of color as a concept is never dying out.

Let’s face facts here, it’s just fun. Sure it can border on tacky, and that’s where you need to watch your selection. If you’re not sure if the blocks are kind of overstepping, stay away the intimidating options. Keep to simpler variations on the color block. If you’re fearful that you’re teetering in the direction of circus clown, I’d advise a simple two-tone shirt. For it to technically qualify as a color block, the separate colors need to be distinct, no shade ins or fade outs allowed. That having been said, the fashion popo isn’t going to write you up for a little color blending.

If you’re ready to step into the bold, color blocking can be an awesome way to spice up a bland outfit. Just keep the rest of the outfit a little more subdued.

The main thing with color blocking is just to go for it. It’s the fashion equivalent of blasting any pop song. It’s loud, energetic, and just the tiniest bit obnoxious, but in the best possible way!

  1. Matiko Madison
  2. Lulus
  3. Jason Wu
  4. Prabal Gurung
  5. Richard Nicoll
  6. Asos
  7. Minimarket
  8. Diane von Furstenberg