Fall/Winter 2016/17 Trend Report

Trends fw16

If fashion once worked in defined clockwork cycles, this season is proving the fluidity of today’s runways and trends. While two of our dominant themes prevail from the ’70s, the rest of our designers are spanning the timeline making pitstops in every decade (skip the 1950s) from the ’20s through the late ’90s.

Unique designer inspirations from the late David Bowie to Tim Burton’s cult classic Beetlejuice leave the runways teaming with a striking contrast of wearable garments to obscene styling.

While some collections prove comically avant-garde *cough, cough Comme Des Garcons*, the bulk of the productions put drool-worthy context to the term “ready to wear”.

Leisured Sophisticate

Whether it’s the Studio 54 gold lamé deep-v fitted jumpsuit or the olive green velveteen leisure suit resting a top a paisley pointed collar shirt, the 1970’s is a time period full of audacious dressing. For fall/winter 2016/17, looks hop right off the tour buses of the Vinyl decade from the rockers themselves straight through to the girls that swoon at their feet. Daily leisure to nightly lavishness, the trends endure.

The details: Suedes, crushed velvets, corduroys, chenilles, silks and lamés make up the luxuriousness of this era of dress. Muted-half tones are often paired with highly bold color calling to vibrancy of the decade. Pattern is not something designers shy away from, dipping lightly into the trends of the decade prior. Lessening the psychedelia, and upping the sophistication with softer folkloric prints, the ’70s is marked by the beginning of decadence in fashion and lifestyle.

Another major change coming out of the seventies is the start of “sexy”. Plunging neck lines, tight fitting turtleneck sweaters, hot pants, cinched waists – it’s all about showing off the body. Fit-and-flare dominates  with the bell sleeve and bell bottom at the helm of most wardrobes.

A marker of societal change with the early start of the “career woman”, singular modes of dress for women are left behind. Skirts now come in three lengths; short, midi and maxi. Jumpsuits and high-waisted pants topped off by massive belt buckles are the height of popularity.

*Accessories note: The beveled-square toe platform boot is back and it’s begging for a dig through mom and dad’s record collection for some Nancy Sinatra. These boots were made for walkin’ and they’re doing it from ankle booties through to thigh-highs.

*Beauty note: The shag rests atop most heads in this trend, with the odd break for an obvious Farah Fawcett flip.

Prairie Savant

If rocker socialite defines the first ’70s trend, Prairie Savant is the sweet and naive cousin visiting for the week from South Dakota. This trend occupies the softer side of the ’70s as it is categorized by the rural muting of modes of dress, the step back from the rise to self-indulgence and an inclination to stick to a strongly feminine aesthetic.

The Details: Thin cottons, sheers, linens, laces, satins and tulles make up the fabric selection on these delicate garments. Softer hues and washed out floral prints bring a delicate beauty to the long-flowing garments. Primarily maxi frocks, the prairie look is one easily identified by the mass of ruffles.

Hints of romanticism sweep through this trend with ruffled collar bibs, cape build-ins and flouncing details that key in the English Rose aesthetic. Ruffles appear in all forms from lining dresses and maxi skirts to dangling at the high-hip of a loose fitting bohemian blouse.

Recalling the first decade to touch upon the prairie-look, the ’30s leg of mutton sleeve offers body to the otherwise subdued trend. The effect is used at varying degrees allowing a designer to play around with the drama of the look. The female necktie also makes a reappearance offering a lighter segue into the trend without the risk of going matronly.

*Beauty note: Hair styles favor the tapered quiff, with an elevated semi-roll in front and the gelled front “greaser”.

Mawkish Escapism

The romance dips deeper into the historical waters with the Mawkish Escapism trend. Influences pull from the Renaissance era, touch upon the ’20s and even go darker with the 17th century coven-laden garments. This trend runs the gamut of poetic nostalgia, with draping and femininity as its mainstays.

The Details: Luxe textiles include velour, chantilly lace, brocade, georgette, damask and various other sheer fabrics. The use of textile contrast from the rigid to the flowing in a mass of jewel tones and blacks establishes a refined grandeur in the designs. At times touched with a chromatic abstract print, the opulence grows all the greater.

Feminine silhouettes hold a certain delicacy, even whilst the design elements go in a slightly villainous direction. Crumpled features, sheer elements, high collars, capes and a flare for the dramatics create a sense of intrigue taking the looks beyond the sickeningly sweet and into the realms of a compelling world ‘beyond’.

Though suiting, blouses and lengthier skirts can certainly fall into this category, gowns and cocktail dresses are the defining garments.

*Accessories note: Two shoes currently en vogue match up with this trend. The pointed-toe stiletto amps up the theatrics, while the ballerina shoe (flat or heeled) mutes the brooding right out of the ensemble.

*Beauty note: Styling takes even the softer looks in a moodier direction. Alternating emphasis, eyes are dark and graphic, while lips are going from berry all the way through black.

Alt. Eclecticism

Somewhere between the birth of punk music in the 1980’s and the grungy garage-band days of the 1990’s, streetwear came to be. The Alt Eclecticism trend blurs the lines of the two generations, mixing the electric with the apathetic and resulting in next-level layering. The looks seem to pair items haphazardly, but the aesthetic is punishingly “cool”. Vibing heavily on the underground art scene and channeling a disenfranchised youth, Alt. Eclecticism treats fashion unapologetically like it doesn’t matter (while making it look better than most).

The Details: Anything and everything goes so long as it’s layered, artfully cluttered and confidently adorned. Denim, leather, cotton, furs and rigid fabrics occupy valuable real estate on these catwalks. Palettes combine neutrals with pops of vibrant colors. Pattern is not common, though it is present in smaller doses.

Silhouettes borrow from sportswear, bordering on athleisure. With hints of heritage in the mix, the combination is wholly incongruent, but somehow works. Oversized, well-tailored, but deconstructed garments rest atop other oversized, well-tailored but deconstructed garments. The only nods to femininity fall in a few peaks of skin consistent with this season’s overall love of the conspicuous cutout.

Items on command include athletic puffer coats, tousled denim anything and sweatshirts.

*Accessories note: All is to be styled with the clunkiest of footwear, metal anything and a beanie.

*Beauty note:  Welcome back nude to browned lips, excessive (non-cat) eyeliner and spider mascara.

Militant Forces

As a (non-patriotic) tribute to the defence forces that protect and serve, the runways are once again cluttered with military influences. From the modern garb, to the ’40s looks that speak to a world at war, fall/winter 2016/17 climbs right into the trenches. Land, sky and sea are all targeted in color scheme and overall feel.

The Details: Boiled wool, suiting fabric, cotton, canvas, and fur accents support many of these pieces. Colors predominately settle in at Army greens, Navy/Air Force blues and the reds of the Queen’s Guard.

Construction is paramount to the Militant Forces trend. Rigid garments are still made flattering and their bulk is met with aesthetic purpose. Though silhouettes are less form-fitting, this season’s favorite cinched waist returns to bring back shape in a woman’s body.

Details include squared shoulders, epaulettes, tassels and hook-and-eyes. Though the trend is interpreted into wearable suits and dresses, the military jackets are the foundation of the trend.

*Accessories note: While some designers go literal, pairing their looks with military accessories such as the vintage Navy hat, others merely suggest structure with the additions of corset overlays.

City Scape

As another trend with a high focus on construction, City Scape delves into the world of Architecture. Clean lines are paired with drapery to evoke the feel of an urban city from the tallest sky-scrapers to the gentle arcs of the bridges. Minimalism is challenged to new heights where it can utilize layering and asymmetry to establish unexpected compilations.

The Details: Crisp linens, cashmeres, jerseys, cottons, suedes and peau de soie are the most frequent textile choices. Color palettes highly favor neutrals, with shades of white and grey dominating. Colors can be present as well, though they tend to be a focus point.

Silhouettes vary greatly, with the only commonality being elongating the body. Lines are very clear throughout these looks for the purpose of guiding the eye. Often these looks pair a highly structured garment with a lightly draped counterpart. The simplicity in the contrast leaves an overall concluding feel of effortless elegance.

Layered pieces prove open to all sorts of garments. The wide-leg pant and cross-over skirt take lead as trend “must-haves”.

*Beauty note: A continuation of the geometric form of the trend, hair is sleeked back with extreme left side-parts.

While some of the season’s contenders are not a “one style fits all”, there seems to be a little something wearable for everyone. Those afflicted with a hefty bust may stay away from the ruffled-bib of the Prairie Savant, but the necktie is an easy buy in. If you weren’t born into long supermodel legs, you could keep off the midi skirt and swap in the mini cross-over.

Whether you’re in search of a little whimsy or aiming to strike a look of elite luxury, the trends will accommodate. Perhaps most important is to recall the lack of boundary in today’s world of dress. If it fits, if it makes you happy… wear it! You can always find a way to roll it into a trend category with a good accessory closet and a keen eye for beauty.

 

Paris Fashion Week Roundup

The final week of fashion shows is behind us for the fall/winter 2015/16 season. What a season it was from the heavily architectural pieces to soft flowing drapery, the sweetheart neutrals to rich desert hues and all the incomprehensible styling imaginable. Whether you tuned in for the artful designs or the histrionics of it all, I’m confident you were not disappointed. While the Valentino show made the loudest statement of the season in announcing that Hansel is once again “so hot right now” for Zoolander 2, there was plenty of magnificent bold fashion worth reporting on. Let’s dive right in!

Whole Collections of Cool

Christian Wijnants

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Christian Wijnants offers a unique twist on soft clothing with his FW15/16 collection. Flowing garment structure, pastel colors and sheer delicate textiles are paired with frayed edge patchwork, a few grimmer hues and dense rigid fabrics to toughen up his looks.

The mainstays of the collection are shift dresses done in mixed prints with layered textile detailing, slim fit skirts in floral geo prints and robe coats. Overcoats and boxy tees also occupied valuable runway real estate.

Wijnants’ ready-to-wear looks stand out most; however, for their unique custom-made textiles. A compilation of different textiles come together to create wearable art mixing clean cut with fringe, sheer with opaque and print with solid in a geometric maze of material.

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The palette for the show merges whites, light greys, chick yellows and powder blues with the vibrant corals and peacock blues and the bleaker olives, blacks, charcoals and wines. The effect is an astounding contrast and looks that are striking in their originality.

Styling is left simple with no jewelry to be spoken of. Each outfit is accompanied by a pair of ankle or mid-calf round toed boots in pastel colors. Hair is straightened and parted on the far right and lips are hit with a bright red leaving the rest of the face to look natural.

Chalayan

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Utility dominates the Chalayan runway with looks for both men and women. While bursts of tailoring and glamour peak through, a general theme of funky functionality gleans most of the attention.

Baggier overalls worn hanging loose at the hip are a show essential. Worker pants, rigid boxy jackets, tailored blazers with fur trim, and mixed media deconstructed gowns are also major players.

Geo prints and the use of metallics against dark neutrals prove visual stimulants. The mix of utility and glamour both in fabrics and silhouette are what really sets the show apart. Chalayan severs components of his garments to force them back together with rigged hardware reminiscent of curtains. Fringe work and abstract art creativity can be found as well amongst some of the pieces in the collection.

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An almost entirely neutral palette focuses on charcoal grey, black, white, tan and cream. Several pieces focus on teal or pink beige. Gold, silver and bronze appear as accent colors towards the end of the show along with red.

Black patent booties are on the feet of most models with a few sand patent sandals in the mix. Cloche hats offer a dash of 20’s charm to some of the looks while other models simply have straightened hair parted in the middle for a severe utility look. Makeup is meant to appear mostly natural with only some powder blue highlighting at the eyes.

Because Anyone Can Be Ordinary

Aganovich

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Aganovich brings forth something a little different this fashion week with a collection seemingly inspired by a cross between vintage YSL and Disney villains. Heavily architectural garments blend Victorian corset fit with bulk, layering and impossibly high pointed collars.

The collection focuses on variants of suiting with pants, skirts, vest, blazers and overcoats. Masculine pieces have been reimagined for women’s bodies and met with a dose of deconstructed brilliance.

The layering of both garments and textiles creates a volume counter to the tight fit of the underlying garments. The effect is a dramatic one lending the experience of a period-blended film of Oscar-worthy status.

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A sombre palette focuses primarily on black, white, light grey, navy and deep cognac in a mix of textures and simple prints. Hints of red can be seen as well.

Styling includes natural makeup, messy pulled back ponytails and canvas shoes. Rounded brim fedoras appear in the show’s lineup as well.

Rick Owens

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Although slightly on the side of robotic (with a little extra thanks to the makeup), Rick Owens delivers another collection that simply must be branded as “cool”. Heavily architectural pieces are paired with simple drapery in creating avant garde looks that  are somehow still true to the ready-to-wear category.

Tunic tops with cape necks are the clear must haves of the collection. Other key pieces include maxi skirts, puffer coats and pointed asymmetrical zip-up sleeveless tops.

Detail is what truly shines on this runway offering subtle suggestions of glamour. Sequins and fur fringe are unexpected from Owens, but definitely play a crucial role in stringing together all of the looks. Textures like supple suede, rigid canvas and heavily quilted nylon all work together surprisingly well. Though print in the true sense is minimal, a heavy geometric focus caries through from start to end.

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All neutrals came down the catwalk including black, grey, taupe, olive, tan, navy, brown and hints of metallics. The subtle hue variations on the neutrals; however, creates the illusion of color at times.

Ankle booties, studded over the knee boots and tall gladiator boots are the main footwear focus. Hair is sleeked back tight. Makeup varies from completely natural, to dramatic black under-eye makeup to complete silver or gold faces adorned with spikes.

Styled and Filed Under Strange Love

Maison Margiela

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Under the new direction of John Galliano, Maison Margiela goes all out with the styling of the fw15/16 show. Though the collection itself is an aesthetically pleasing mix of the 20’s, 60’s and 90’s, the hair and makeup is something more akin to a cheap carnival clown.

Neon colors dominate the faces of models with overdrawn coral lips and a mix of turquoise and orange racoon eyes. Some of the girls get the “subdued” look with over the top (times 20) black cat-eye makeup. Hair is either heavily teased, or colored boldly and tucked under a funky Blossom inspired hat or beret. Necks get neon yellow floral corsages. Lucky feet get slipped into stunning ombred pointed toe sandals. Other models are sporting slippers akin to the abominable snowman feet.

Perhaps the weirdest of it all; however, os the stances of the models. Some carry tan grocery style bags as if pulling off a heist and others hunch their way down the runway appearing creature-like and overall odd.

Givenchy

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Givenchy steps more than a few feet away from its usual subdued styling for this moustachioed and bedazzled runway. Clothing in the collection favors romanticism with folkloric prints, lush velvet fabric, fur trims and flowing feminine silhouettes. The styling; however… not so much!

The hair is pulled back into thin stranded pigtail braids bringing to mind leiderhosen. Bangs are gelled to the forehead in twists and twirls looking as though the monopoly man’s moustache skidded up the face a good 2.5 inches, flipped over and made its way to Paris Fashion Week.

Though makeup itself is a non-issue, studs are all over the models faces appearing as tear drops, chin rings, cheek rings and of course, plenty of large earrings. Each model gets a moustache, though some are more bling than basic.

With all that going on up top, footwear is left to simple pointed toe mid-calf boots in neutral leather.

Looks We Won’t Soon Forget

Paco Rabanne

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Taupe has never looked so striking as it does coming down the Paco Rabanne PFW catwalk. This mixed media look blends opaque with sheer and 2D with 3D as it plays with the rules of geometry.

Though the silhouettes both on top and bottom are nothing crazy, the textile work is something to marvel at with plasticized spikes coming off the mid-calf pant flare!

Kenzo

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Once again, Kenzo delivers beautiful athleisure with a hit of the unexpected. An aymmetrical tunic top slashed with the classic track suit stripe filters into a metallic emerald floral print  skirt which rests above pants that follow  its lead. Paired with leather gloves, a riding hat and head scarf, the look channels equestrian chic perfect for resortwear. Perhaps born to the wrong season, this look still begs to be part of my wardrobe.

Well, that’s a wrap on fashion month fall/winter 2015/16. We’ve seen it all from the wonderful to the wonderfully wacky (Comme Des Garçons… really….). Hope you’ve all enjoyed reading my thorough assessments week by week. Check back soon for a full trend report covering all four weeks of fashion!

Galliano’s Back In The Game

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Well, well, Mr. Galliano, it certainly has been a while. If ever there were a man in fashion to tumble from the top… John Galliano started his career as the Creative Director for Givenchy, but three short months later in October of 1996, the British designer made the move over to Dior where he held the title of Chief Designer. He moved the French Fashion house through to the millennium and well past in style, making revolutionary designs and playing up his habit for deconstructing garments. In 2011; however, severe racial slurs took him out of the game and he was let go from Dior to enter a black hole of a fashionless existence with no end date in sight. Early 2013, he took up a three week residency at Oscar De La Renta, but wasn’t made a permanent member of the team due to supposed budgetary restraints. Me thinks that’s a mere half truth. Regardless, the man kept fighting as he mentored students at London’s Central Saint Martins College of Art & Design. His luck ran a little dry once again when he tried to take up a similar role at Parsons The New School for Design. As a recent graduate, I can attest to the fact that the man wasn’t quite fit to be around young minds. The deal of him teaching a mini-course fell through after he refused to address the uglier parts of his past. Needless to say, there was a widespread lunchbag letdown by the switch of the syllabus (though I on the marketing side of things, wouldn’t have held a seat in his course regardless).

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So that takes us to the present. It’s 2015, and the man of the questionable ethics, but undeniable talent found himself back in the biz. On January 12th, John Galliano presented his “Artisinal” womenswear collection for the newly renamed Maison Margiela. With Galliano stepping in as Creative Director, Maison Martin Margiela dropped the Martin and shortened its official brand name.

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The compelling 24-piece collection presents all of what would be expected by renegade Galliano combined with reimagination of Martin Margiela’s staples; minimalism and deconstruction (a shared aesthetic of the two). Galliano reconceptualized minimalist into maximal androgyny at times and bulked it up with excess fabric play and bold details. The collection was heavy in black, white and tan, but used fire truck red to pull attention. Funkier details included a set of lash-heavy eyes on a dress, ruched fabric turned semi-floral tufts and frightening facial masks reminiscent of a Basquiat painting. Styling included plenty of sparkles circling the eyes and wind-swept hair clinging to faces of the models, including it girl Binx Walton.

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A valiant first effort by Galliano was well received by the industry. It seems he’ll be sticking around for a while. Can’t wait to see what’s next to come from the man of detached sleeves and operatic makeup.