Fall/Winter 2016/17 Trend Report

Trends fw16

If fashion once worked in defined clockwork cycles, this season is proving the fluidity of today’s runways and trends. While two of our dominant themes prevail from the ’70s, the rest of our designers are spanning the timeline making pitstops in every decade (skip the 1950s) from the ’20s through the late ’90s.

Unique designer inspirations from the late David Bowie to Tim Burton’s cult classic Beetlejuice leave the runways teaming with a striking contrast of wearable garments to obscene styling.

While some collections prove comically avant-garde *cough, cough Comme Des Garcons*, the bulk of the productions put drool-worthy context to the term “ready to wear”.

Leisured Sophisticate

Whether it’s the Studio 54 gold lamé deep-v fitted jumpsuit or the olive green velveteen leisure suit resting a top a paisley pointed collar shirt, the 1970’s is a time period full of audacious dressing. For fall/winter 2016/17, looks hop right off the tour buses of the Vinyl decade from the rockers themselves straight through to the girls that swoon at their feet. Daily leisure to nightly lavishness, the trends endure.

The details: Suedes, crushed velvets, corduroys, chenilles, silks and lamés make up the luxuriousness of this era of dress. Muted-half tones are often paired with highly bold color calling to vibrancy of the decade. Pattern is not something designers shy away from, dipping lightly into the trends of the decade prior. Lessening the psychedelia, and upping the sophistication with softer folkloric prints, the ’70s is marked by the beginning of decadence in fashion and lifestyle.

Another major change coming out of the seventies is the start of “sexy”. Plunging neck lines, tight fitting turtleneck sweaters, hot pants, cinched waists – it’s all about showing off the body. Fit-and-flare dominates  with the bell sleeve and bell bottom at the helm of most wardrobes.

A marker of societal change with the early start of the “career woman”, singular modes of dress for women are left behind. Skirts now come in three lengths; short, midi and maxi. Jumpsuits and high-waisted pants topped off by massive belt buckles are the height of popularity.

*Accessories note: The beveled-square toe platform boot is back and it’s begging for a dig through mom and dad’s record collection for some Nancy Sinatra. These boots were made for walkin’ and they’re doing it from ankle booties through to thigh-highs.

*Beauty note: The shag rests atop most heads in this trend, with the odd break for an obvious Farah Fawcett flip.

Prairie Savant

If rocker socialite defines the first ’70s trend, Prairie Savant is the sweet and naive cousin visiting for the week from South Dakota. This trend occupies the softer side of the ’70s as it is categorized by the rural muting of modes of dress, the step back from the rise to self-indulgence and an inclination to stick to a strongly feminine aesthetic.

The Details: Thin cottons, sheers, linens, laces, satins and tulles make up the fabric selection on these delicate garments. Softer hues and washed out floral prints bring a delicate beauty to the long-flowing garments. Primarily maxi frocks, the prairie look is one easily identified by the mass of ruffles.

Hints of romanticism sweep through this trend with ruffled collar bibs, cape build-ins and flouncing details that key in the English Rose aesthetic. Ruffles appear in all forms from lining dresses and maxi skirts to dangling at the high-hip of a loose fitting bohemian blouse.

Recalling the first decade to touch upon the prairie-look, the ’30s leg of mutton sleeve offers body to the otherwise subdued trend. The effect is used at varying degrees allowing a designer to play around with the drama of the look. The female necktie also makes a reappearance offering a lighter segue into the trend without the risk of going matronly.

*Beauty note: Hair styles favor the tapered quiff, with an elevated semi-roll in front and the gelled front “greaser”.

Mawkish Escapism

The romance dips deeper into the historical waters with the Mawkish Escapism trend. Influences pull from the Renaissance era, touch upon the ’20s and even go darker with the 17th century coven-laden garments. This trend runs the gamut of poetic nostalgia, with draping and femininity as its mainstays.

The Details: Luxe textiles include velour, chantilly lace, brocade, georgette, damask and various other sheer fabrics. The use of textile contrast from the rigid to the flowing in a mass of jewel tones and blacks establishes a refined grandeur in the designs. At times touched with a chromatic abstract print, the opulence grows all the greater.

Feminine silhouettes hold a certain delicacy, even whilst the design elements go in a slightly villainous direction. Crumpled features, sheer elements, high collars, capes and a flare for the dramatics create a sense of intrigue taking the looks beyond the sickeningly sweet and into the realms of a compelling world ‘beyond’.

Though suiting, blouses and lengthier skirts can certainly fall into this category, gowns and cocktail dresses are the defining garments.

*Accessories note: Two shoes currently en vogue match up with this trend. The pointed-toe stiletto amps up the theatrics, while the ballerina shoe (flat or heeled) mutes the brooding right out of the ensemble.

*Beauty note: Styling takes even the softer looks in a moodier direction. Alternating emphasis, eyes are dark and graphic, while lips are going from berry all the way through black.

Alt. Eclecticism

Somewhere between the birth of punk music in the 1980’s and the grungy garage-band days of the 1990’s, streetwear came to be. The Alt Eclecticism trend blurs the lines of the two generations, mixing the electric with the apathetic and resulting in next-level layering. The looks seem to pair items haphazardly, but the aesthetic is punishingly “cool”. Vibing heavily on the underground art scene and channeling a disenfranchised youth, Alt. Eclecticism treats fashion unapologetically like it doesn’t matter (while making it look better than most).

The Details: Anything and everything goes so long as it’s layered, artfully cluttered and confidently adorned. Denim, leather, cotton, furs and rigid fabrics occupy valuable real estate on these catwalks. Palettes combine neutrals with pops of vibrant colors. Pattern is not common, though it is present in smaller doses.

Silhouettes borrow from sportswear, bordering on athleisure. With hints of heritage in the mix, the combination is wholly incongruent, but somehow works. Oversized, well-tailored, but deconstructed garments rest atop other oversized, well-tailored but deconstructed garments. The only nods to femininity fall in a few peaks of skin consistent with this season’s overall love of the conspicuous cutout.

Items on command include athletic puffer coats, tousled denim anything and sweatshirts.

*Accessories note: All is to be styled with the clunkiest of footwear, metal anything and a beanie.

*Beauty note:  Welcome back nude to browned lips, excessive (non-cat) eyeliner and spider mascara.

Militant Forces

As a (non-patriotic) tribute to the defence forces that protect and serve, the runways are once again cluttered with military influences. From the modern garb, to the ’40s looks that speak to a world at war, fall/winter 2016/17 climbs right into the trenches. Land, sky and sea are all targeted in color scheme and overall feel.

The Details: Boiled wool, suiting fabric, cotton, canvas, and fur accents support many of these pieces. Colors predominately settle in at Army greens, Navy/Air Force blues and the reds of the Queen’s Guard.

Construction is paramount to the Militant Forces trend. Rigid garments are still made flattering and their bulk is met with aesthetic purpose. Though silhouettes are less form-fitting, this season’s favorite cinched waist returns to bring back shape in a woman’s body.

Details include squared shoulders, epaulettes, tassels and hook-and-eyes. Though the trend is interpreted into wearable suits and dresses, the military jackets are the foundation of the trend.

*Accessories note: While some designers go literal, pairing their looks with military accessories such as the vintage Navy hat, others merely suggest structure with the additions of corset overlays.

City Scape

As another trend with a high focus on construction, City Scape delves into the world of Architecture. Clean lines are paired with drapery to evoke the feel of an urban city from the tallest sky-scrapers to the gentle arcs of the bridges. Minimalism is challenged to new heights where it can utilize layering and asymmetry to establish unexpected compilations.

The Details: Crisp linens, cashmeres, jerseys, cottons, suedes and peau de soie are the most frequent textile choices. Color palettes highly favor neutrals, with shades of white and grey dominating. Colors can be present as well, though they tend to be a focus point.

Silhouettes vary greatly, with the only commonality being elongating the body. Lines are very clear throughout these looks for the purpose of guiding the eye. Often these looks pair a highly structured garment with a lightly draped counterpart. The simplicity in the contrast leaves an overall concluding feel of effortless elegance.

Layered pieces prove open to all sorts of garments. The wide-leg pant and cross-over skirt take lead as trend “must-haves”.

*Beauty note: A continuation of the geometric form of the trend, hair is sleeked back with extreme left side-parts.

While some of the season’s contenders are not a “one style fits all”, there seems to be a little something wearable for everyone. Those afflicted with a hefty bust may stay away from the ruffled-bib of the Prairie Savant, but the necktie is an easy buy in. If you weren’t born into long supermodel legs, you could keep off the midi skirt and swap in the mini cross-over.

Whether you’re in search of a little whimsy or aiming to strike a look of elite luxury, the trends will accommodate. Perhaps most important is to recall the lack of boundary in today’s world of dress. If it fits, if it makes you happy… wear it! You can always find a way to roll it into a trend category with a good accessory closet and a keen eye for beauty.

 

Remodelling The Model

Runway
www.louisboston.com

In an industry in which being “ugly pretty” books you the job, it’s shockingly hard to qualify for a spot doing your little turn on the catwalk. The standards for female modelling are prohibitively high, often seeking those below 25 on age and dangerously below 18 on BMI. Ethnicity is to fit a cookie cutter check box and mixed ethnicities are considered beautiful, but a casting confusion. Height must always exceed 5”7 and at that, prepare to be considered short.

Fashion shows globally host the most important people in industry from buyers to bloggers, editors to forecasters. There’s little margin for error. In order to keep the collections salable and generate heat, the clothing must do all the talking. And the voice better be booming. Here’s where the argument falls to the “classic” runway model – the three E’s; ease, enticement and ego. Though a sleek and polished show winds up presenting, it’s anything but calm backstage. Last minute switches, model no-shows, clothing rips and a myriad of other things can go wrong. Thus holding to one body type makes things run smoother. If one model doesn’t show, the dress can easily be thrown on someone else and fit more or less the same way. Wafer thin also means no billowing, no pulling and no bulging. This makes the clothing appear to be flawless in fit and entices buyers to want to bring the line in store come the next season. Glove fits coupled with proper design and trend equals high sell rates, good write-ups and a sky-rocketed reputation for the designer.

It may be time; however, to put the old model to bed so to speak. It’s a social media storm out here with thousands upon millions upon billions of images and videos being shared daily of real women. A barrage of selfie campaigns are replacing traditional ads; the implications of which are leading to the slow adoption of models that don’t fit the standard bill. Social apps and sites will demand more of today’s woman’s time, ensuring that she spend at least equal time staring at the faces of her friends as those of models. It’s about reality and an educated consumer willing those that dress her to not shame her for her shape, size, skin or anything else.

Integration of real world models is moving more rapidly through the moderate price market, but it appears Lincoln Center has opened its doors to a few models that redefine the standard. It may not be much, but No Hangers Barred is in full favour of any bias cut – badoom boom ch! Here’s a look at a few of the changing faces in industry that have rocked the catwalk during Fashion Week and made their mark in magazine spreads.

Diandra Forrest

thingsilike-rotex.blogspot.com

Proud African American model Diandra Forrest was born with Albinism. Though she was ridiculed in her youth growing up in the Bronx for her pale skin, Forrest has since found her niche from it. Her beautiful facial features blend uniquely with her pigmentation making her a striking choice for any runway. She has walked for Jean Paul Gaultier, VFiles and Vivienne Westwood and has lent her face to many editorial spreads.

Rain Dove

RainDove
www.kubatbillot.com

With a completely androgynous look, Rain Dove seamlessly models both menswear and womenswear. Dove uses her modelling as a form of activism in promoting lack of gender specific clothing which appeals to  the anatomical values of an individual. Dove has been all over the NYFW scene walking for Malan Breton, Vivienne Hu and Rochambeau to name a few. We expect to see much more of her this September.

Jillian Mercado

JillianMercadowww.elle.it

Born with Muscular Dystrophy, Jillian Mercado learned early on in her studies at The Fashion Institute of Technology that her industry wasn’t the most open-minded when it came to beauty. She sought to change that and has found quite a large amount of success. Major luxury retailer Nordstrom and denim designer Diesel have scooped up Mercado for fashion campaigns.

Elliott Sailors

ElliottSailors
nickystyles.com

Elliott Sailors started out on a very traditional path. She was a former beauty pageant contestant turned model and had always fit the model mould. As she aged, she learned how quickly the industry could turn on her. Menswear then called to her as a method of prolonging her career. She has walked for the likes of Vivienne Westwood, Rick Owens and Diesel Reboot.

Andreja Pejic

AndrejaPejicwww.etonline.com

Claiming a new first in Fashion Week history, Andreja Pejic walked both the men’s and women’s runways for the same designers for FW15/16. Born Andrej, Pejic originated as an androgynous male model, who has changed her modelling parameters since transitioning. She emerged as one to watch with her compelling walk down the Giles runway in London. Previously, she had graced the runways of DKNY, Rick Owens and Jean Paul Gauliter in addition to appearing in numerous ad campaigns.

Carmen Dell’Orefice

CarmenDell'Orficewww.ganzomag.com

83 years young and still making a splash. Talk about aging gracefully. Carmen Dell’Orefice refuses to quit as she continues to dominate the editorial world. She’s been featured in the pages of Harper’s Bazaar and Vanity Fair, taken the cover spot on Marie Claire, appeared in ad campaigns for designers such as El Libro Amarillo and Rouge and walked in shows for Marimekko and Narisol Ferrari. Bridge club be damned!

Myla Dalbesio

MylaDelbasiowww.news.com.au

While plus size has made its way into some mainstream ads, it always seems to be too strongly a point of pride from the brands. Myla Dalbesio burned up her fair share of newsfeeds when her size 10 figure appeared in a Calvin Klein spread of size 0’s without a word of brand acknowledgement. The message spoke loud enough as is and the stunning model has since been featured in many editorials including a “Selfies in Spandex” spread on Vogue.com.

Jamie Brewer/Danielle Sheypuk

JamieBrewer DanielleSheypuk
www.buzzfeed.comwww.naija.io

Two Fashion Week firsts came down the Carrie Hammer runway as part of her “role models, not runway models” campaign. American Horror Story  actress Jamie Brewer really got people talking as the first person with Down Syndrome to walk at NYFW. Similarly clinical psychologist Danielle Sheypuk captivated as she made her way down the runway in a wheelchair. Though modelling isn’t the future path for either of these ladies, we certainly commend their boldness in challenging the status quo last winter.

Winnie Harlow

WinnieHarlow
www.fashiongonerogue.com

Born with Vitiligo, model Winnie Harlow is proving that beauty certainly can extend beyond symmetry and  the expected. Her skin discolouration hasn’t gotten in her way at all. This gorgeous and confident model has been the face of European brand Desigual and proved a perfect light-hearted choice for their polka dot campaign. Harlow has also walked for Diesel and has a promising career ahead.

Lea T

LeaT
www.bigshocking.com

Transgender model Lea T has been hard at it for a while now, having become the face of Givenchy in 2010. She’s since covered much ground having been featured in many editorial spreads and campaigns including Benetton and Phillipp Plein. In 2014, Lea T claimed the rights to being the first openly transgender model to be the face of a cosmetics brand when she stepped into her role at Redken.

It would seem that brands adapting to the modern world have been getting their praises. Diesel, Rick Owens, Jean Paul Gaultier and Vivienne Westwood showing their ability to evolve with several of the above mentioned models have certainly taken their positive press as a result. If heads will turn and people will be talking, the clothing will certainly get its air time regardless of the body it hangs off of. Yes, there will be challenges to overcome. Perhaps more backup models should be on call. Clothing trials should be done ahead of time, but there is no reason we cannot adapt.

If ready-to-wear Fashion Week offerings are meant to be sold, why should they continue to be sold under false body pretences? If we truly must keep uniformity in some fashion shows, it should at least be restricted to the couture collections; those meant as an art form and purchased only rarely by the supremely wealthy. This is one mode of operation in need of a tweak!